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Evergreen trees are symbols of immortality and being free from the past and future.


I now remember
the enlightenment I was born with,
knowing myself as
Divinity in the flesh.

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Orpheus

(This is an excerpt from a University Of Metaphysical Sciences course at www.umsonline.org, please feel free to visit the school website)

 

The Orphic Mysteries were the other immensely popular religion of Greece and Rome, which communed with higher powers using the magickal power of the word, music, and yogic living to attain self-divinity. Orpheus was responsible for bringing myth and allegory to Greece from Thrace, his birthplace. His was the dominant religious view in Greece while Bacchus worship and Mars (Weapon) worship were more prevalent in Rome. Orpheus, Dionysos and Christ were equated with one another until as late as 600 A.D., well after the firm establishment of Christianity. Orpheus, the Thracian bard, was celebrated as a divinity several centuries before the Christian era. In the Mystical Hymns of Orpheus, Taylor writes, “Scarcely a vestige of Orpheus’ life is to be found amongst the immense ruins of time. Only a few of his immortal songs remain. All we know of him is that his birth place was Thrace, he was probably black, being named after orphasias, the dark one, and that he brought theology to the Greeks. He was the instructor of the morals of non-violence. He was the first of Western Prophets and the prince of poets, himself the offspring of a Muse, who taught the Greeks their sacred rites and mysteries and upon whose shoulders Homer, Pythagoras, and Plato stood. All mystery traditions of the Greeks flowed from the odes of Orpheus.

Musaos, in his Orphic Hymns and Hymns of Ethiopia, claims his father Orpheus brought the knowledge of the gods themselves to the Greeks. Orpheus was the founder of the Grecian mythological system that he used to promulgate his philosophical doctrines. The origin of his philosophy is universal in that he was an early wandering yogi-sage and has elements of all the places he had traveled. This includes an Eastern Indian influence, as many Thracians at the time were of a mixed Indian and African descent.

Orpheus was initiated into the Egyptian mysteries, from which he learned extensive knowledge of magic, astrology, sorcery, and medicine. The Mysteries of the Kabiri at Samothrace were also conferred on him and these undoubtedly contributed to his knowledge of medicine and music. Very similarly to Eastern Indian metaphysics, Orpheus and his religion Orphism taught what was called the metempsychosis of souls, when the state of pristine purity is attained and one is freed from cyclic existence. Orpheus was a pacifist and a healer, his music was the only “weapon” he used to teach, transform, and entertain the people. He was so wise and his music so beautiful that often the gods would seek him out to listen to him play. Both Apollo, the Sun god, and Morpheus, god of dreams, were said to be his father.

Orpheus was the shamanic link between super-consciousness and sub-consciousness. Orpheus taught moderation, vegetarianism, and herbalism as part of his presentation of truth. The tragedy of Orpheus and Eurydice was the initiatory parable for the follower of Orpheus. Eurydice, in an attempt to escape from a rapist while Orpheus played music at their wedding night, was bitten on the heel by an asp and died. Orpheus, journeying into the depths of the underworld, so enchanted Pluto and Persephone with his music and poetry they agreed to permit Eurydice to return to life if Orpheus could lead her back to the sphere of the living without once looking round to see if she were following. So great was his fear, however, that she would stray from him that he turned his head and Eurydice was swept back into the land of the dead.

Orpheus wandered the Earth for a while in deep depression and there are several versions of his death. Some declare that he was slain by a bolt of lightning, some that he was successful in bringing back Eurydice and they ascended to heavenly paradise while still alive, and in one version he tried to commit suicide, but couldn't. Having already walked among the dead and returned, he had become immortal. The most popular version of his death was that he was torn to pieces by orgiastic Ciconian women in a Dionysian frenzy when he resisted their advances. The head of Orpheus, after being torn from his body was cast into the river Hebrus with his lyre that floated to the sea near Lesbos. Resting at an altar there, the head gave oracles and prophecies for many years, as Orpheus couldn't perish. The lyre, after being stolen from its shrine and resulting in the quick destruction of the thieves, was found by the gods and fashioned into a constellation in heaven.
Orpheus has long been sung as the patron of music. On his seven stringed lyre he played such perfect harmonies that the gods themselves were moved to acclaim his power. When he touched the strings of his instrument the birds and beasts gathered around him as he wandered through the forests. His enchanting melodies caused even the ancient trees with mighty effort to draw their gnarled roots from out the earth and follow him. Orpheus is one of the many Immortals who have sacrificed themselves that mankind might have the wisdom of the gods. By the symbolism and blessing of his music he communicated the divine secrets to humanity and several authors hint that the gods were jealous of the shaman because he had surpassed them.

As time passed, the man Orpheus became one with the mythic symbol of the Adept of the Orphic School. He was a living symbol of ancient wisdom, the wandering necromancer priest-poet. He was declared the son of Apollo, the divine and perfect truth, and Calliope, the Muse of Music, harmony and rhythm. In other words, Orpheus is the Logos of the secret doctrine God Apollo revealed through Harmony and Music, Calliope. Eurydice is the human part that dies in ignorance's underworld. In this allegory, Orpheus signifies the initiate who must lose the fleshly part of himself out of doubt about the natural understanding within one's own soul and faith in the higher powers. The Bacchic women who tore Orpheus apart are the contending forces of disruption and transformation that destroy the illusion of stasis in life. They are unable to harm Orpheus at first because his music creates a psychic shield around him, but when their wild howls drown out his voice they rend him to pieces. The harmony of the magical celestial seven-stringed lyre are the seven star chakras of the spiritual body in perfect harmony with the cosmos; when that harmony is disrupted the forces of nature can come in to devour.

The head of Orpheus represents complete enlightenment and the pure Logos freed from limitation. This Logos and its doctrines continue to exist long after the “body” has been integrated and spread across the universe. Orpheus Lyre is the secret teaching of Orpheus, the seven strings are the seven divine truths which are the keys to universal knowledge. This was the primary allegory of the initiate. "The student was also taught of the two fountains of the other world. There are two fountains in the underworld, one of forgetting called Lethe, and one of remembering called Menomoseni. While most beings drank from the first, forgot their previous lives and were reborn among the ignorant once again, Orpheus taught to drink of the fountain of remembering in which one discovered total memory of all lives and our divine nature and super-consciousness," W.C. Guthrie tells us in Orphism (1953). This path led to total recall of all lives and to the Elysian Fields, an immortal paradise. This was a powerful instruction for both death and dreaming. This went along with strict food vows and anti-violence vows the poet mystic followers of Orpheus would take to improve their meditation and wisdom. Unlike the other popular mystery cult of Dionysos and Bacchus, which believed frenzied ecstatic states were the way to the divine, Orpheus taught stoical meditation and refined homage through song.

The conflict between the demi-urge of the body and the spiritual nature of man is emblematized by the tearing apart of Orpheus' body as well as a superior form of continual meditational ecstasis, the severed head being a metaphor for samadhi and deep meditation. Orpheus' body or substance is spread across the Universe; i.e. the divine principle is spread through everything at the moment of supreme awakening. The other popular rites in homage to Dionysos were celebrated as a banquet and party with hallucinogenic wine and wild sexuality. In both Orphism and early Gnosticism there is a direct movement against these forms of worship because they were seen as tricks of the senses to elude the soul and mind into the imprisonment of the flesh. Sabazius or Saboath, the birthplace of Dionysos, became one of the negative names of the false god in Gnosticism while the austere anti-drunkenness tenets of Orphism were absorbed into early Christian thought.